November 10, 2013
On my way up to photograph the Canadian Museum for Human Rights from the balcony at the new Prairie 360 revolving restaurant in Winnipeg, I noticed the shrivelled leaves of vines hanging from the limestone off the first floor of the building. Just a few weeks ago, the leaves would have been alive with saturated color. Now, the color had mostly disappeared and the leaves had shrivelled and dried. I have always been attracted to this sort of muted color which tends to dominate in the seasons 'between fall and winter' and again 'between winter and spring'. I enhanced the nostalic look by bringing the image into an App called 'Vintage Scene' in which I overlayed a subtle texture and frame. The scene reminded me of my very first print exhibition called 'Subtle Images' which hung in Edmonton in the early 1980s.
September 22, 2013
Autumn is back in all its glory! Whether in your own backyard, or your favorite country walk, it's time to get out there and experience fall colors. The fall season, a favorite for many, can explode with colour but it can also be brief!
Check out the other images by clicking on the main photograph.
In a recent post, I mentioned a number of artists who have inspired and influenced me in my current profession as a photographer. Inspiration of course may come at different times in one’s life. In the acknowlegements section of my ‘Georgian Bay’ book (2008), I wrote: “ I am forever grateful to the following:
… Gerard Courtin for writing the introduction to this book and also for sharing with so many of us at Laurentian University over the years your passion about the environment and your enthusiasm for teaching. There is often one teacher who stands out in one’s life and you have been that one for me”. It was also an honour for me to dedicate the book 'Georgian Bay' to Gerard Courtin.
Inspiration for art can come from any number of places: from the written word, from an experience that touched one deeply, from the natural world, from an urban setting, from one's own imagination and of course, from the works of other artists - be they painters, sculptors, writers, musicians, photographers, textile artists, etc. Personally, I derive much of my inspiration from the natural world. 'Mother Nature' is the ultimate creator and offers me continued and limitless opportunities to see beauty throughout its kingdom. Over the years, I have also been inspired by artists from all walks of life. It's interesting to consider how each artist can touch you so deeply in such different ways; sometimes it's the way the artist uses a particular palette of subtle colours, sometimes it's the way an artist uses space or how boldly he positions his main subject in the artwork. A wide range of artists have left their mark on my own work, including the likes of Albrecht Dürer, Emily Carr, Tom Thompson, Lawren Harris, A.Y Jackson, J.E.H. MacDonald, Robert Bateman, Toni Onley, Andrew Wyeth, Ian Tamblyn, Brett Weston, Freeman Patterson, Ernst Haas, Franco Fontana as well as a host of contemporary photographers, too many to mention. Each has influenced me in some significant way on how I approach or produce my own art.
I have always loved this photograph I made some 22 years ago on traditional B&W film. For me, it captured a moment of love and tenderness between mother and daughter altough this is a slightly different image from the same series. This particular photograph is a 'close -up' version one of a small series I made. I had forgotten that my 'little cousin' Lise, whom I remember fondly playing with my 'little sister' Lorraine at the family cottage, had made the attached beautiful drawing based on this image. I finally saw it this spring during a recent visit. It brought back a lot of wonderful memories and I thought I would share her drawing along with her thoughts about her process.